We are first seduced by his “laughing eyes�. Then we are impressed by the tremendous energy he gives off.

On October 7, 1962, Guerineau opens his eyes to see world where he does not belong, condemned by medical inevitabilities to close them forever. Some weeks later, people are stunned by miraculous events that deny him such a sad fate. Therefore burdened by the suffering inflicted on his parents Guerineau strides strongly on showing spontaneity in everything he undertakes. It is Art that Guerineau is passionate about at the expense of his studies. He will spend 10 years with a painter, Roger Oliver, who teaches him everything without any difficulty whatsoever, given his artistic potential.

From canvas to canvas he lays his emotions with an endless search of external power. Edging deeper into his work , he faces a sense of duality: he must now capture the spirituality of the inside world. This work gives birth to the series of his paintings in which appears the vanities.

Guerineau’s characters offer a macabre dance and highlight the grotesque nature of existence which is often synonymous to the suffering in a vein which is voluntary morbid with emaciated silhouettes to return us to our own questions about the meaning of things.

Guerineau’s work is at the meeting of the continual worlds, those of the ancient times which breath great inspiration. The artist creates on the suffering and the misunderstanding of a life which haunts his mind every day of his life.

This expressionism translates obviously as a rebirth, a renaissance, a mirror reflecting our own unanswered questions.